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The Cambridge History of Nineteenth-Century Music Edited by Jim Samson The Cambridge History of Eighteenth-Century Music Edited by Simon P. The Cambridge History of Seventeenth-Century Music Edited by Tim Carter and John Butt

The Cambridge History of Sixteenth-Century Music Edited by Iain Fenlon and Richard Wistreich The Cambridge History of Fifteenth-Century Music Edited by Anna Maria Busse Berger and Jesse Rodin The Cambridge History of Medieval Music Edited by Mark Everist and Thomas Forrest Kelly The Cambridge History of World Music Edited by Philip V. The Cambridge History of Western Music Theory Edited by Thomas Christensen The Cambridge History of Musical Performance Edited by Colin Lawson and Robin Stowell The Cambridge History of Music Criticism Edited by Christopher Dingle The Cambridge History of American Music Edited by David Nicholls Each volume is written by a team of experts under a specialist editor and represents the latest musicological research. The individual volumes are self-contained and include histories of music examined by century as well as the history of opera, music theory and American music. MUSIC The Cambridge History of Music comprises a group of reference works concerned with significant strands of musical scholarship. A book of conversations with the composer Julian Anderson is in preparation, and Dingle has also written for BBC Music Magazine for twentyfive years. His realisation of the orchestration of Messiaen’s Un oiseau des arbres de Vie (Oiseau Tui) was premiered at the 2015 BBC Proms, and a critical edition of the score will be published in 2019. In addition to research on music criticism, he has authored/edited five books on Messiaen, including the acclaimed The Life of Messiaen (Cambridge, 2007). D I N G L E is Professor of Music at Royal Birmingham Conservatoire. An indispensable point of reference, The Cambridge History of Music Criticism provides a broad historical overview of the field while also addressing specific issues and events. Drawing on a blend of established and talented young scholars, this is the first substantial historical survey of music criticism and critics, bringing unprecedented scope to a rapidly expanding area of musicological research. The Cambridge History of Music Criticism goes beyond these better-known accounts, reaching back to medieval times, expanding the geographical reach both within and beyond Europe and including key issues such as women and criticism, recordings and the story of criticism in jazz, popular music and world music. MUSIC CRITICISM Music criticism has played a fundamental and influential role throughout music history, with numerous composers such as Berlioz, Schumann and Wagner, as well as many contemporary musicians, also maintaining careers as writers and critics.